The United Strings of Europe is a London-based ensemble made up of young professionals from across the European Union and Switzerland with the goal of promoting musical and cultural cooperation at the highest level.
SECOND VIOLINS – Over 14GB of content
SEVEN microphone positions replicating a film scoring setup, so you can craft your own sound to taste. Separate desk spot mics can be used to simulate divisi.
Recorded at the world-renowned Cadogan Hall
Over 22,000 samples+
Multiple TRUE LEGATO sets including normal and portamento, at different dynamics (cross-fade-able with MIDI CC1)
7RR Staccato, Pizzicato and Sautille/Spiccato multiplied by multiple dynamic layers
Tremolo, Harmonics and Trills
Why do I need the First and Second Violins?
This is a very good and valid question, rightly asked by many of you!
The perfect balance and hugely sought after sound of the orchestra has been refined over centuries. In order to capture this sonic beauty with samples, each section must be meticulously captured… multiple players, each with different instruments, slightly different timbre, subtle differences in tuning, vibrato and seated in different positions in the stereo/sonic field.
Combining the USE first and second violins in your palette allows access to this beautiful, lush synergy of instruments… something not possible by layering multiple tracks of first violins, which at the very least, can cause phase problems, but more importantly, withhold your music from its full potential and depth.
With the United Strings of Europe, the second violins are particularly important, as – faithful to how the USE play (and similar to how a lot of score music is recorded) – the second violins actually sit to the right of the conductor, with first violins opposite on the left. It’s common for many scores to be recorded this way, and has the benefit of basses sitting in the middle at the back (you want the bass in your track in the middle!)
On top of all this, – from a plainly musical/performance perspective – every single note in the second violins is a different and new performance to the first violins… Every note has slightly different intention, emotion and musicality. Combining and orchestrating with both sections will raise the depth of your music several-fold.
在欧洲联合字符串是来自全国各地的欧盟和瑞士组成的年轻专业人员以促进在最高级别的音乐和文化合作的目标设在伦敦的合奏。
第二小提琴-超过14GB的内容七个
麦克风位置可复制电影评分设置，因此您可以制作自己的声音来品尝。可以使用独立的桌面麦克风来模拟divisi。
在世界著名的加多近厅录制
超过22,000个样本+
多个TRUE LEGATO集，包括普通和滑音，具有不同的动态效果(可与MIDI CC1交叉淡入淡出)
7RR Staccato，Pizzicato和Sautille / Spiccato乘以多个动态图层
颤音，谐波和颤音
为什么需要第一和第二小提琴?
这是一个非常有效的问题，很多人都正确地问过!
数百年来，这种完美的平衡和备受追捧的乐团声音得到了完善。为了用样本捕捉这种声音美感，必须认真捕捉每个部分……多个演奏者，每个演奏者使用不同的乐器，略有不同的音色，微妙的音调差异，颤音以及在立体声/声场中的不同位置。
将您的调色板中的USE第一和第二小提琴组合使用，可以使用这种优美，茂密的乐器协同作用……通过分层放置第一把小提琴的多条音轨是不可能的，这至少会造成相位问题，但更重要的是，保留您的音乐从其全部潜力和深度。
对于欧洲联合弦乐队，第二小提琴尤其重要，因为-忠实于USE的演奏方式(并类似于录制许多乐谱音乐)-第二小提琴实际上位于指挥家的右边，小提琴在左侧。以这种方式记录许多乐谱是很常见的，它的好处是低音坐在后面的中间(您想要低音在中间!)
最重要的是，从明显的音乐/演奏角度来看，第二把小提琴中的每个音符与第一把小提琴都具有不同的新演奏…每个音符的意图，情感和音乐性都略有不同。将这两个部分结合在一起并进行编排将使音乐的深度提高几倍。
